_原题是：多禄溙拍卖行｜史上的一座巅峰：汉代出廓玉壁
此夔龙纹玉璧呈青绿色和田玉，玉质细腻温润，质地甚为温润，璧面局部有沁。璧体呈扁平圆形，中部有对钻圆孔，孔内遗有台阶痕。璧上施有细密的谷钉纹。玉璧上端镂刻有正面及侧面龙纹，璧孔内雕一夔龙，兽身，独角，身侧似有翼，尾长并饰绳纹。侧面龙首多有卷鼻、长眉、花式分叉角或独角。此种侧面龙首为东汉典型造型。龙体多作夸张扭曲回绕，上饰平行短线。尾端似盛开的花朵。东汉龙纹与西汉迥异，气韵精神多装饰意味。两汉玉璧多圆形谷纹璧，这种顶端透雕龙纹的很少，仅在诸侯王墓葬中出土，表明这种形制的玉璧规格很高，使用者身份地位也相当高贵。传世品中也极为少见。
【dragon|多禄溙拍卖行｜史上的一座巅峰：汉代出廓玉壁】The jade with dragon grain of this Kui is green and tian jade, the jade is delicate and warm, the texture is very warm, there are qin part of the jade surface. The wall body is flat round, the middle has a pair of drilling round hole, hole left with step marks. And it was plated with studs of fine grain. The upper end of the jade piece is carved with dragon patterns on the front and the sides, a kui dragon is carved in the hole of the jade piece, the body, one horn, the body side seems to have wings, and the tail is long and decorated with rope patterns. Side dragon head has a roll nose, long eyebrows, fancy bifurcation Angle or single Angle. This side head is typical of the Eastern Han Dynasty. The dragon body is made of exaggerated twist and wrap, decorated with parallel short lines. The end is like a blooming flower. The dragon pattern in the Eastern Han Dynasty is quite different from that in the Western Han Dynasty. The jade in the Han Dynasty is round with grain and grain patterns. The top of the jade is rarely carved with dragon patterns. Only the jade unearthed from the tombs of vassal Kings shows that the jade in this shape has very high specifications and high user status. It is also very rare among handed down products.

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这一时期的玉器，不仅数量众多，玉质上乘，并且新创了不少优美器型，线条运用更臻娴熟，纹饰的审美含量急剧增加，刀工秀逸遒劲，风格清新潇洒。短短的五百年间，给历史留下了无数玉质珍品。
The jade of this period, not only the quantity is numerous, the jade quality is excellent, and created many beautiful implements newly, the line use is more consummate skilled, the aesthetic content of the decoration increases sharply, the knife work xiuyi vigorous, the style is fresh and natural. In just five hundred years, countless treasures of jade have been left to history.

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长：18ccm 宽：14cm 高：0.5
按照纹饰变化多样性和之间的传承关系，可以从时间节点来划分为春秋时期、战国早期和战国中晚期等三个阶段。春秋时期的玉璧少见素面，多为阴刻图案，青玉质地，与西周时期相差无几，仅是图案线条更为纤细、整体更薄，反映出工艺稍有进步，多发现于祭祀遗址和墓葬中，纹饰为夔龙纹或虬龙纹，龙在世人心目中具有崇高的地位，能祛邪、避灾、祈福。龙这种纹饰本是周王专用的图案装饰物，但在春秋时期列国霸主的高等级墓葬中都有发现，可见列国对周礼都有不同程度的僭越。此件玉璧造型优美，线条流畅，沁色自然，等级很高。
According to the variety of ornamentation and the relationship of inheritance, it can be divided into three stages from the time node: spring and Autumn Period, early Warring States period and middle and late Warring States period. With rare element face during the spring and autumn period, more for intaglio patterns, sapphire texture, and the western zhou dynasty, more slender, whole is only design line is thinner and reflects technology progress, slightly more than found in worship sites and tombs, grain for dragon grain, or a kind of dragon grain, dragon in the mind has a high status, and can eliminate pathogenic, avoid disaster, blessing. The dragon pattern was originally the special decorative design of the King of Zhou, but it was found in the high-level tombs of the overlords of the states during the Spring and Autumn Period, indicating that the states had usurped the rites of Zhou to varying degrees.This piece of jade beautiful modeling, smooth lines, ooze natural color, high grade.